impulse)

Compositions from Praxis to appear in Kristóf Szabó’s THE MOMENT

THE MOMENT - the geometry of heads, or how thoughts create reality

Sprechtheater | Tanz | elektronische Sound Art



Premiere 07.12.2011|20:00 Uhr|Orangerie Theater Köln|Volksgartenstr. 25|
0221 9522709 
Weitere Termine: 8,9,10,11, 13, 14, 15 Dezember 2011 jeweils 20 Uhr



Kristóf Szabó

DER MOMENT – Die Geometrie der Köpfe –
oder wie der Gedanke die Realität erschafft (UA)

Kostüm in Zusammenarbeit mit den Darstellern/Text - Bühnenbild - Choreographie - Regie: Kristóf Szabó Stimmen: Jörg Hustiak|Nina Lentföhr|Lisa Laux Tanz: Gwendolin Gemmrich Darstellerin: Lara Pietjou Darsteller: Roland Sapper Dramaturgische Beratung: Cecilia Szabó elektronische Sound Art: Cem Güney Film: Marion Kellmann Technische Realisation Bühnenbild: Ibrahim Dingin Pressefotos: Mike Kleinen Galerie Brotlos Produktions assistenz Patrick Lieder Coaching: www.bodyincrisis.com Beleuchtung: Thomas Glocksin Assistenz Bühnenbild: Sandra Schöneck Technische Leitung - Licht-Design: Michele Hövelmanns Layout: Nicole Meyer www.designrevolt.de

ISTANBUL SPLIT CD, Released.In January 2009, within the framework of the subject area Audiovisual Art – akey aspect in New Media teachings at the Academy of Fine Arts HBK Saar – a fieldtrip to Istanbul took place. For one week, during a field recording workshop, theparticipants set out with various equipment for sound hunting in the megacity.Together with Cem Güney, a Turkish musician and composer, it was possible to getto locations which would not have been accessible to regular visitors. The recordings of markets, mosques, ferryboats, suburbs, demonstrations, street vendors, craftsmen and scenes in cafés in the five selected electroacoustic compositions constitute a portrait of a city, in which Eastern and Western cultures, religions and traditions converge – as perhaps in no other European city.————————————Stefan Zintel, EclipseCem Güney, Error at the Fish MarketAlexandra von Bassen, Flowers of IstanbulChristina Kubisch, Dogs and VoicesCem Güney, What Are You Looking for, Treasure?Marc Behrens, Mobilization of Ecstasy————————————-Produced by Hochschule der Bildenden Künste Saar, 2011* Academy of Fine Arts, Saarbrücken, GermanyPhotography & Cover Design by Marc Behrens

ISTANBUL SPLIT CD, Released.

In January 2009, within the framework of the subject area Audiovisual Art – a
key aspect in New Media teachings at the Academy of Fine Arts HBK Saar – a field
trip to Istanbul took place. For one week, during a field recording workshop, the
participants set out with various equipment for sound hunting in the megacity.
Together with Cem Güney, a Turkish musician and composer, it was possible to get
to locations which would not have been accessible to regular visitors. The recordings of markets, mosques, ferryboats, suburbs, demonstrations, street vendors, craftsmen and scenes in cafés in the five selected electroacoustic compositions constitute a portrait of a city, in which Eastern and Western cultures, religions and traditions converge – as perhaps in no other European city.

————————————

Stefan Zintel, Eclipse
Cem Güney, Error at the Fish Market
Alexandra von Bassen, Flowers of Istanbul
Christina Kubisch, Dogs and Voices
Cem Güney, What Are You Looking for, Treasure?
Marc Behrens, Mobilization of Ecstasy

————————————-

Produced by Hochschule der Bildenden Künste Saar, 2011
* Academy of Fine Arts, Saarbrücken, Germany
Photography & Cover Design by Marc Behrens

Portal: No Escape, 2011
Live Action Short Film by Dan Trachtenberg

İstanbul Biennale 2011
Flash Art Video

The Architecture of Silence

[…]

Permeability, which is the physicality of silence itself, consists of the impossibility of saying anything about its content. Sounds can approach this permeability, but cannot achieve it. Sounds always occur as a formation or a shaping. They come into being by crossing a border which divides them from all others. At this border, everything formed becomes particular. Silence does not know this border. There is no silence through production. Silence is just there, where no sound is.

[…]

Silence can also be present in the sounds. In order to have silence in sounds, one must let go of everything which gets in the way of this silence. This sound is a sound without the idea of what it can mean or how it should be used. This sound achieves a hint of permeability, which otherwise belongs only to silence. This sound is the Da-sein (being there) of sound. Its presence and charisma make themselves felt in the composition.

Silence requires one decision: sound or no sound. Sound requires a great many more decisions. These shape the sound and give it its quality, feeling and its content. Thus silence,in its comprehensive, monolithic presence always stands as one against an infinite number of sounds or sound forms. Both stamp time and space, in that they come into appearance, in an existential sense. Together they comprise the entire complexity of life.

excerpt from “The Architecture of Silence”, Jürg Frey, 1998

Festival for Applied Acoustics, Köln, Germany, 11.06.2011
Cem Güney & Ephraim Wegner

Courtesy of J.Puff, Licht-Bilder

Concert_June 11, 2011

Cem Güney & Ephraim Wegner will perform their 8-Channel composition on
the 11th of June at the Festival for Applied Acoustics, which is to take place
at the UFA Palast, Hohenzollernring, Köln-Germany.

untitled, March 2011

untitled, March 2011

“Crónica L” reviewed by Cyclic Defrost

Cronica celebrates their 50th release with L, a compilation pairing 18 Cronica artists into collaborations. This results in 9 new compositions, exploring various facets of the label’s approach to hazy, electro-acoustic sound art.

While it’s difficult to pin Cronica down to a distinct sound, the artists here chiefly work in drones, in which field recording plays a significant part. And the quality is high throughout, from the motorised whine and static pops of Gilles Aubry and Paulo Raposo’s ‘Forms of Suspension’ through to the floor-shaking low-end rumble of Pure and Duran Vazquez’ aptly titled ‘Stoorm’.. Marc Behrens and Cem Guney employ an industrial grind, dappled in random clicks and glitch in ‘Mouth to Mouse’. Ran Slavin and Vitor Joaquim’s ‘Voices Over Water’ is predictably aquatic, waves of bass lapping against reverberant clanging and submerged voices.

Both Janek Schaeffer and Stephan Mathieu’s collaborations, with Enrico Coniglio and Piotr Kurek respectively, explore sounds familiar from their own collaboration Hidden Name, all rich, billowing synthetic drones, but they’re just out-blissed by bucolic closer ‘Reve General’ by The Beautiful Schizophrenic and Tu’M. Best of all though is Lawrence English and Stephen Vitiello’s ‘Circles of Twine’, a gorgeous evocation of a sub-tropical setting, sparse piano laid over the chirrup of birds and insects, cloaked in a dank forest glow. All great tracks. Joshua Meggitt

via Cyclic Defrost

sound installation with [IN BETWEEN] radio pieces

Sound Installation with radio pieces at Maria Matos Theatre - foyer
:: radio transmissions :: Radio Zero :: Feb 23/24/25, 1 a.m.-2 a.m ::
for details » EDITMAKEMIX »