impulse)

ZIMOUNInstallations & Sound Sculptures

Fri, 16 Oct 2009 20:55:37 +0300

ZIMOUN
Installations & Sound Sculptures

SCULPTING IN TIME

Fri, 16 Oct 2009 20:49:38 +0300

SCULPTING IN TIME:

extracts from “Sculpting in Time” by Andrev Tarkovsky
Some/Thing Magazine

Plastic People

Fri, 16 Oct 2009 20:43:17 +0300

Plastic People:

Recent developments in humanoid robot technology.

Field Recording and Experimental Music Scene by Toshiya Tsunoda

Thu, 15 Oct 2009 15:49:23 +0300

Field Recording and Experimental Music Scene
by Toshiya Tsunoda

Wandelweiser, by Michael Pisaro

Wed, 14 Oct 2009 22:57:46 +0300

Wandelweiser, by Michael Pisaro

izmir-tr, sept. 2009

Mon, 14 Sep 2009 01:27:34 +0300

izmir-tr, sept. 2009

untitled, kuşadası-tr, sept. 2009

Mon, 14 Sep 2009 01:24:41 +0300

untitled, kuşadası-tr, sept. 2009

Mon, 14 Sep 2009 01:21:41 +0300

untitled, kuşadası-tr, sept. 2009

would you like to try head soup or brain soup?figaro cafe,...

Mon, 14 Sep 2009 01:13:13 +0300

would you like to try head soup or brain soup?

figaro cafe, kuşadası-tr, sept. 2009

an excerpt from michelangelo antonioni's "la notte"

Tue, 11 Aug 2009 18:29:00 +0300

valentino: promise not to make fun of me?

valentino starts the tape,

i heard snatches of television dialogue: “stop that car!”.”i wouldnt do that jim”.
after that, the howling of a dog, rising effortlessly, in perfect misery.

then i thought i heard a plane, then silence, and i was happy.

a garden’s silence is made of sounds; press your ear to a tree and listen.
the sounds may be within us; i’d rather think it’s the tree.

the silence is broken by an alien noise. i close the window, but the noise
persists; it’s too much for me. i dont want useless sounds; i want to select them.

voices and words…there are so many words i’d rather not hear but you must
resign yourself, like floating on the waves of the sea.

giovanni: may i hear it again?

valentino rewinds the tape

::: la notte :::

"For me, the true avant-garde (not the fossil being carried around in more or less stinky bags) is..."

Sat, 08 Aug 2009 13:02:14 +0300

“For me, the true avant-garde (not the fossil being carried around in more or less stinky bags) is the critical analysis or issue-taking with our cultural surroundings. We are surrounded by noises and sensory overstimulation, wherever we go, sit, shit, sleep… Out of sheer need, I’m interested in a world of thoughts, actions, music and so forth, which reflects the cultural situation and is reflective. What’s needed today is not faster, higher, stronger, louder - I want to know all about “the lull in the storm”.”

- an interview with radu malfatti by dan warburton, feb 2001
paris transatlantic

bodrum-tr, august 2009

Fri, 07 Aug 2009 19:30:23 +0300

bodrum-tr, august 2009

etlefeucomme_netlabel

Wed, 05 Aug 2009 15:24:38 +0300

etlefeucomme_netlabel:

_________ this label is interested especially to forms of the minimalism, including if possible the silence…

taiwan, 2005-6, marc behrens, a narrow angle

Tue, 04 Aug 2009 12:50:38 +0300

taiwan, 2005-6, marc behrens, a narrow angle

bodrum-tr, august 2009

Tue, 04 Aug 2009 01:58:13 +0300

bodrum-tr, august 2009

Photo

Mon, 20 Jul 2009 14:13:25 +0300

solaristics, july 2009

Sat, 18 Jul 2009 10:33:00 +0300

solaristics, july 2009

Praxis reviewed by Loop.cl

Sat, 18 Jul 2009 10:22:36 +0300

Cem Güney is a Turkish-born sound artist who started within the jazz music field playing the trumpet. He studied music in California and he’s a DJ since 1994. “Praxis” is the debut album on Portuguese Cronica Electronica label, furthermore a compilation appearance on “V/A Mus….c”, (Cronica, 2008). Güney works both synthetic and recorded sound as source material which processed by software. “A Phonetics Theme” opens with a wide range of recorded voices. “Impulse” is built out of tiny digital sounds, while “Undulations (dedicated to Janek Schaefer)” is a loop of a string section that changed into flickering tones penetrating dark moods.“Factitious Phobia” is a combination of electroacoustic sounds, recorded voices and underrated Middle Eastern music. The piano deliver harmonic notes which sound quite strange alongwith such abstract sounds. “Praxis” is composed by digital microsounds, some of them Morse like and unidentifiable snippets.“Behold Now Bhikkus, The Sounds of Nada Yoga” comprised the meditation through sound and there are some vowels with especial characteristics and meanings worked by Güney as processed voices.

Guillermo Escudero, LOOP

a dialogue from Solaris

Wed, 15 Jul 2009 14:18:19 +0300

snout: when a man is happy, the meaning of life and other themes of eternity rarely interest him. these questions should be asked at the end of one’s life.

kris: we don’t know when our life will end, that’s why we’re in a hurry.

snout: the happiest people are those who never bother asking those cursed questions.

kris: we question life to seek out some meaning. yet to preserve all the simple human truths we need mysteries. the mystery of happiness, death, love.

snout: you may be right. but try not to think about it.

kris: to think about it is the same as to know the day of one’s death.
not knowing that date makes us practically immortal.

::: solaris :::

untitled, july 2009

Sat, 11 Jul 2009 13:28:38 +0300

untitled, july 2009